Hulabhaig : Uig Open 2020: Re-imagined Online

Hebridean Cottages

By rob leckey RBSA

Acrylic/collage/mixed media

h: 60 w: 70 d: 5 (cms).

Whilst island hopping through the Outer Hebides I stopped many times to collect images such as these remote cottages for future paintings.

Acrylic paint and ink has been applied over tissue collage with rollers, pieces of shaped wood and plastic card.

£495

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Hebridean Cottages

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The Death of Reason

By kevin mcsherry

Oils on stretched canvas

h: 50 w: 41 d: 1 (cms).

As a culture, we appear to be retreating from the ideals of the Age of Reason.

£4550

£4500 (Unframed)

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The Death of Reason

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Burst ii

By stephen hines

PVC foam, pine, cast concrete, slab concrete, oil, cellulose, emulsion, acrylic and water based paint, steel.

h: 158 w: 248 d: 62 (cms).

Random shaped pieces of colour-painted PVC foam emanate from a white light beam, that has shot forth from a geometric abstract and irregular shaped concrete core, atop a hand cut, carved concrete slab.

£3000

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Burst ii

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Contemplation

By henry adiele

Steel wires

h: 25 w: 14 d: 15 (cms).

Gender inequality is one of the oldest issues in most of the societies with sons getting preferential treatment over daughters in underdeveloped and developing countries. Emphasis on women education, employment, giving them due status in the society and creating awareness among the people to treat son and daughter alike would be better options to eliminate frustration, reduce fertility rate and limit family size.

Recently, family standards of living has dramatically increased with more women in the labour force. Contemplation of whether the girl child will be of any use to the family or not, before and after marriage is gradually becoming a thing of the past.

£1500

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Contemplation

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Lovin' the Lime

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COWBOYS and ENGINES

By joseph urie

OIL.on Canvas

h: 102 w: 76 d: 2 (cms).

Since2015 I have been exploring my CHILDHOOD memories and IMAGERY from STREET GAMES ,STREET ART and first visits to the CINEMA ,where WESTERN FILMS inspired me to DRAW as a YOUNG BOY.

£3250

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COWBOYS and ENGINES

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Sail to Innse Gall

By julie collins

Acrylic

h: 50 w: 50 d: 2 (cms).

Sail to Innse Gall is an imaginary landscape created about a place I would love to go and have never been. I was born and raised in the Isle of Man and have a strong Celtic connection. My family sailed around the Irish Sea, Lower and Upper Hebrides. Once I sailed with my Dad to the Island of Mull and always wished I'd been able to go again. He and I would sit at the Point of Ayre, the most northerly tip of the Isle of Man looking towards Scotland and particularly Stranraer. I now live on the South Coast of the UK but my work is about imaginary landscapes and my personal feelings about them.

£650

£500 (Unframed)

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Sail to Innse Gall

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Suprise

By jo pearl

Ceramic

h: 29 w: 9 d: 11 (cms).

This single head is part of a body of work, exploring what emotions look like and feel like. Inspired by Charles Darwin's lesser-known theory which defined six expressions of emotions as universal whether you live in the Outer Hebrides or Outer Mongolia, and fundamental to human evolution. The emotion explored in this fugure is Surprise

£380.00

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Suprise

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Emotional Field

By jo pearl

Ceramic

h: 48 w: 50 d: 23 (cms).

This series of six heads is part of a body of work, exploring what emotions look like and feel like. Inspired by Charles Darwin's lesser-known theory which defined expressions of emotions as universal whether you live in the Outer Hebrides or Outer Mongolia. The piece follows the six emotions that Darwin highlighted as fundamental to human evolution: Happiness, sadness, surprise, fear, anger and disgust. The heads have been sculpting in different types of clay.

£2600.00

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Emotional Field

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Para gliders at Sunset, Ocean Grove

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Only entropy comes easy

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Threads of the Sea

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Old Man of Stoer

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Neist Point,Skye

By margaret micklewright

Ink/acryllic ink

h: 80 w: 57 (cms).

This painting in ink on 300gms handmade paper is based on a dramatic view of Neist Point on Skye, using photographs and memory. The ink (always painted on wet paper) helps to increase the drama and deep feeling that I have for this part of Skye in particular. The work is currently unmounted as the paper has a deckle edge and can be float mounted when framed - this will depend on any buyers' preference

£850

£850 (Unframed)

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Neist Point,Skye

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Sunset over Tay Rail Bridge

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Loch Awe Sunrise

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Moonset over Loch Nevis

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The Hebridean Mermaid

By jodie drinkwater

Pen, Ink and Goache on Japanese Rice Paper

h: 33 w: 24 (cms).

This piece is a tribute to the Hebridean Mermaid.
It is rumoured that there is a mermaid's grave in Benbecula.
Around 1900, the following tale was published about the island of Benbecula in the Outer Hebrides of Scotland:

"Some seventy years ago, people were cutting seaweed at Sgeir na Duchadh, Grimnis, Benbecula. Before putting on her stockings, one of the women went to the lower end of the reef to wash her feet. While doing so she heard a splash in the calm sea, and looking up she saw a creature in the form of a woman in miniature, some few feet away. Alarmed, the woman called to her friends, and all the people present rushed to the place. The creature made somersaults and turned about in various directions. Some men waded into the water to seize her, but she moved beyond their reach. Some boys threw stones at her, one of which struck her in the back. A few days afterwards, this strange creature was found dead at Cuile, Nunton, nearly two miles away."

Source: http://anomalyinfo.com/Stories/ca-1830-mermaid-killed-benbecula-scotland

Here I have depicted her gazing out to sea sat on a rock near a headland under the night sky.

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The Hebridean Mermaid

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Arrival

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Hebridean Scattering

By candy frosoni BA (Hons)

Acrylic

h: 100 w: 100 d: 4 (cms).

Title: Hebridean Scattering (2020)

Medium: Acrylic on canvas

Dimensions: 100 x 100 x 4 cm

Artist: Candy Frosoni

£1895

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Hebridean Scattering

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Solid Air

By leonard sheil

Mixed media-watercolour,emulsion,oil,pencil

h: 150 w: 300 (cms).

The title comes from the John Martyn song of the same name,although has no direct connection with the lyrics or motives behind Martyn's superb music.

A Harbour is what a safe sanctuary represents a place of security and solidity.Asylum Harbour was the original name give to Dun Laoghaire harbour,lying on the Southernmost shore of Dublin Bay, Ireland.Construction began in 1842, 11.2km from Dublin city.

Its two breakwaters, known as the East Pier and West Pier and are 1,290 metres and 1,548 metres in length respectively. It has an enclosed water area of approximately 215 acres. It has its own identity and character that is distinct from the rest of the town. Its character is derived from its form,material uses,sounds and smells. The form of the harbour is generated by its two huge arms and sheer mass,which encloses a great expanse of water.The strongest aspect is this spatial quality that overcomes its mass,rather than gravity or space.

Over time it has had a number of transformations,that have not just changed its physicality,but its purpose and meaning. It has become disconnected,the purpose for which Dun Laoghaire Harbour was built is no longer required. Any hope rests, in projects that can take advantage of the giant structure original intention.

It was the starting point of a first voyage to Scotland and the outer Hebredies in 1976 and then another journey North around the Orkneys in the mid 90’s. Both on small boats,so exposed to the wild coastline of the Western Isles and its rugged beauty. Or as the ancients referred to it as Ultima Thule- the limit of any journey.

£7000

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Solid Air

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A Sign of the Times

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Wave energy 1

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The Shipping Forecast

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Wave energy 2

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We will survive

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Spring light

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Dark wave

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Wraxall, Somerset

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The lost villages

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Overcome

By madeleine ross

Etching (aquatint)

h: 67 w: 92 d: 5 (cms).

Aquatint triptych float-mounted together in one frame. Each plate is 24cm x 46cm. Artist's Proof.

Made after the experience of being caught in a severe storm in a small sailing boat in the Sea of the Hebrides.

£500.00

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Overcome

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Wind and Rain

By margaret micklewright

Inks

h: 54 w: 64 d: 4 (cms).

Movement and strength in the sea, pushing land further away. I was brought up on an island and am well aware of the powers it has to mould landscape and punish those relying on it for a living or transport. The painting is under a double white mount and a grey frame- 2cm wide, under glass.

£550

£525 (Unframed)

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Wind and Rain

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Be Cool, Stay In.

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The Call of the Sea

By margaret micklewright

Ink and acrylic ink

h: 54 w: 64 d: 4 (cms).

The meeting of land and sea has always been an inspiration for me. The constant pummeling of waves against rigid, impermeable rock, the sound, smell and saturation of salt water runs through me like blood. I drew, painted a bit (it was very windy) on this bit of coastline near the Butt of Lewis and completed it in the relative calm of my studio. It is double mounted on white with a grey frame 92cm wide). Unframed price would include the mount.

£550

£525 (Unframed)

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The Call of the Sea

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Vessel 1

By caroline millar

Acrylic, newsprint, pencil, oil pastel on plywood board

h: 30 w: 30 d: 5 (cms).

'Vessels 1' is part of a series of paintings made during lockdown when focus turned inwards to the emotional world and to home. In the home a simple vessel may hold sustenance, a posy of flowers, objects we wish to keep safe, or be a thing of value in its own right, for its beauty or the associations it holds.

This painting was inspired by a newspaper article about the moral dilemma of buying a coffee during lockdown. Do we queue up for a throwaway paper cup of something we can easily get in the safety of our own home to support a local business and have a quick slug of 'normal' life? Or stay home, stay safe, protect the NHS and enjoy a cup of Java out of a favourite old mug?

£350.00

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Vessel 1

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Ghisla 2

By helen acklam

mixed media

h: 65 w: 95 d: 3 (cms).

My mixed media paintings are informed by the cottages and bothies found on the isles .They include collage using corrugated cardboard, sand from Luskentyre Beach and religious text to add to the authenticity of each piece.

Each piece comes in a antique white tray frame.

£825

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Ghisla 2

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Containment 1

By caroline millar

Acrylic on plywood board

h: 30 w: 30 d: 5 (cms).

In this painting the 'landscape' is presented, as if viewed from above, as a series of intersecting shapes, textures and colours - similar to the 'landscapes' found in the patterns and textures of the built environment when seen close-up.

'Containment 1' was inspired by the conflicting feelings of security and restriction experienced during lockdown, when emotions and perceptions were turned on their head. Graphic shapes combine with organic forms to represent the dichotomy of the experiece of being contained - weaving into the 'landscape' the emotions and felt-sense of the artist.

£350.00

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Containment 1

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Bog

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Of Water

By christine sloman

artist book

h: 12 w: 20 d: 35 (cms).

Guided by a love of the sea and a deep seated desire to be close to water, this book is my little hommage to all things aqueous. Dotted through the book are words pertaining to water, from baptise through to submerge.

Of Water is a set of three artist books. They are constructed as lotus books and fit into a small, purpose made box - 12 x 12 cms. The paper I used is a delicate, trnaslucent Japanese tissue, which has been dipped in a mixture of sea water and pigment.

£425

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Of Water

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Light and Shadow - diptych

By tatiana bondareva

oil and metal leaf on cradled wood

h: 40 w: 60 d: 2 (cms).

Light and Shadow - diptych, oil and metal leaf on wood.

Beside duality, and light and shadow, the concept of this painting is visually describing both: dark times when we need to activate our inner idealist - Neptune - and lean on spirituality and bypass all the negative feelings in order to pull through the hardship; and times when things are quite good and it's finally safe for all the stuffed emotions to come up to the surface in order to be acknowledged and integrated - Pluto. In a way it's descriptive of the virus situation right now, where most of us can observe the fear and panic, and all the dark that's been sitting inside humanity for a while, all in a relatively safe place, with food, heat, wi-fi and comfort.

£4800

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Light and Shadow - diptych

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A Living Coast

By judith campbell

ceramic on wood

h: 106 w: 106 d: 7 (cms).

This work was made to celebrate the Norfolk Wildlife Trust’s purchase of land linking their Cley Nature Reserve with the next coastal village of Salthouse as part of their Living Coast Project.

I referred to the relevant historic connections as follows:

…… In the Domesday Book of 1086, Salthouse is entered simply as ‘a house for the storing of salt.’ Long before this, salt was made by the then worldwide method of boiling sea water in clay vessels; Cley is Anglo-Saxon ‘claeg’ for clay. It follows then that these two adjacent coastal settlements have connections going way back in time....

The clay (Cley) bowls seen here represent those bowls used historically to make the salt to be stored in the salt house.

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A Living Coast

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Harris, The Road to Luskentyre Beach

By joy moore

Oil on Canvas

h: 60 w: 90 d: 1 (cms).

This painting is about the incredible light on the Outer Hebrides and the contrast in both light and colour brought about by the ever changing weather. In particular the painting is about the moment I came to the crest of the hill above Luskentyre and saw the storm clouds lifting over the sea, revealing the sun in the late afternoon, and how the light shone throught the mist still rolling over the hills in the foreground.

This work is not framed

£550

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Harris, The Road to Luskentyre Beach

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Lionel

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Church

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Iolaire

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Guardians, Callanish

By karin murray

Monoprint

h: 25 w: 30 (cms).

This is a unique print, based on a sketch I made of the Callanish stones last year. The dimensions noted are for the actual image size, not including any border/mount.

£250

£190 (Unframed)

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Guardians, Callanish

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Oldtown

By brian gallagher

Unique Scraperboard

h: 15 w: 8 d: 1 (cms).

Scraperboard is a Sgraffito medium - the process is the reverse from usual mark making.
Beginning with a black board I gradually remove parts of it’s thin dark surface to reveal the white china clay beneath. The result is a unique original piece.

NB Size is unframed, add 10cm approx all round for frame.

Frame 3cm deep

£255

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Oldtown

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Rocky Shore

By laura gill

Acrylic on canvas

h: 30 w: 90 d: 3 (cms).

This wee painting is just from memories of a favourite occupation....just standing on a rocky shore, waiting for a burst of sunshine that lights the waves to magical colours of turquoise and green.

£395

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Rocky Shore

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portrait

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Containment 3

By caroline millar

Acrylic, oil pastel and pencil, on plywood board

h: 30 w: 30 d: 5 (cms).

'Containment 3' is part of a series inspired by the changes to life during lockdown. Perceptions have shifted. Priorities have changed. The standpoint of the viewer has altered. The traditional landscape, something normally travelled to, to experience, is no longer available.

This piece relates to the memories (some real, some optimistically imagined) of ancient and distant cities that hold many layers of human experience within their structure and materials.

£350.00

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Containment 3

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Containment 2

By caroline millar

Acrylic, newsprint, oil pastel and pencil, on plywood board

h: 30 w: 30 d: 5 (cms).

'Containment 2' is part of a series inspired by the changes experienced during lockdown when the idea of 'landscape' shifted from the traditional and expansive views of ancient Scottish hills and glens to the patterns and details found in the surfaces around the west end of Glasgow - patches of moss on old masonary, flaky paintwork on lamp posts, cracks in pavements, remnants of posters peeled from hoardings, old papered walls hanging in limbo on a demolition site when work has abruptly come to a halt - all imperfect yet beautiful in their own way.

This piece explores the ways in which 'home' may or may not be a safe place for many during this crisis.

£350.00

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Containment 2

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Self portrait with smyrnium olusatrum - Alexander's- 2k location walk Dollymount - 05/20

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The Perfect Couple

By neil russell

Screenprint

h: 20 w: 20 (cms).

Handprinted Screenprint on heavyweight 250gsm Fabriano cotton paper. Edition of 20, numbered and signed by the Artist. Image size 20x20, paper size 35x35cm

£60

£60 (Unframed)

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The Perfect Couple

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Memories Of Singapore

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Fire and Desire XXVII

By j. (jie) li

watercolor on Arches papaer

h: 114 w: 102 (cms).

Desire is the power of life instinct. It’s like a fire, more like wildfire or volcano eruption. The fire of desire, which constantly arises, also continue to change with the environment expand. Fire and Desire describes and expresses that the fire of desire is a driving force of life, but it could be the source of destruction too.

£2800

£2000 (Unframed)

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Fire and Desire XXVII

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Distant Shore and storm

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Distant Shore Xll

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Abate Fetel pears

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Small Reef Bay, Lewis

By jill macleod

Acrylic on board

h: 33 w: 33 d: 3 (cms).

A semi-abstract depiction of Reef Bay, Lewis depicting the colours, texture and light of the seas and rocks capturing the sense of peace and calm of the space.

£300

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Small Reef Bay, Lewis

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Little girl with a baby goat

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Merrijig

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Brussels sprouts

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Creu

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Cloud Study on Paper

By nina mccondichie

Oils

h: 42 w: 59 (cms).

Study in oils of a dramatic sky over The Isle of Harris on artists' paper. Currently unframed.

£150

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Cloud Study on Paper

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Life

By fatemeh fakharan

Acrylic on canvas

h: 100 w: 70 d: 4 (cms).

Showing a woman as a manifestation of love and power and childbirth and life, but adhering to it Interests and dependencies; the size of the legs indicates that she is unable to leave them, and now lives with a chameleon, she wants to try to change her life but she is now a chameleon woman, the more she He tries to create a more beautiful world. He becomes more dependent on his beautiful imaginary world, a world full of life and kindness.

£800

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Life

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Your Phone Needs You

By margot stinton

Graphite Pearl Pencil

h: 55 w: 45 d: 3 (cms).

Your Phone Needs You! Made with Blackwing 602 and Pearl pencils on Hahnemuhle paper 190 g/ms. Ready to hang, all supports supplied. Inspired by the idea of a Hinterland, where a gateway exits for information to be stored and exchanged. The Hinterland of the smartphone access, is now linked to the fact that a large share of new economic activities, makes use of these gateways. The mobile phone is taking the form of a modern consumer addiction, which creates a tension between the mobile phone and the human being, that could become problematic, in that we are becoming chained to our phones daily.

£350

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Your Phone Needs You

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SAOR

By margarita williams

Watercolour and Indian ink

h: 48 w: 32 d: 1 (cms).

Canach/ Bog Cotton have featured in my botanical work . I became fascinated by their free and individual character and a few years ago began depicting them on a large scale in various mediums.The Gaelic word SAOR meaning FREE sums up their character..

£400

£400 (Unframed)

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SAOR

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Distant Shore Xlll

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Moher Moment

By micasso micasso R56 W998

Acrylic

h: 30 w: 40 (cms).

The wild west of Ireland and the outer hebrides have a originality and a similar calling to all visitors seeking peace and a vision into the past. What we see now is what was seen centuries ago. My painting of the Cliffs of Moher is what I imagine would have been seen by our ancestors just as we see it today. Top of my bucket list is a visit to the outer hebrides.

£450

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Moher Moment

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Together Soon

By bella bee

Oil on paper

h: 35 w: 25 (cms).

Oil on 250gsm paper, unframed.

Two bodies separated by an expanse, painted in answer to the self-isolation of the Corona Virus. Self distancing, we have become islands, remote and quiet. It is a peaceful and strange existence living on the edge of each other's worlds like this, but we will be together again soon and it is that longing which makes it all the more sweet.

£130

£130 (Unframed)

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Together Soon

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An Zilli Piskador (the eel fisher)

By sam horton

Acrylic, transfer, spray paint

h: 97 w: 72 d: 3 (cms).

Part of the 'Eythin' series of work based on life on a quasi fictional Island off the coast of Cornwall. Looking at the luminal aspects of island life and the power of myth and folklore. This figure represents the hunting and fishing aspects of the island, an archetype of coastal life and a totemic figure for the community as they fish for eels with spear under the moonlight.

£500

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An Zilli Piskador (the eel fisher)

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Self Portrait

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Hercules

By ian shalliker

Oil in canvas

h: 80 w: 96 d: 4 (cms).

This is our family terrier Pickle. I had hoped to capture a snapshot of his personality. His confrontational and protective pose in this composition masks his kind nature. I wanted to give the painting an almost timeless quality and convey the feeling of a carefree summers day. Above all I simply wanted to make a painting that was engaging and interesting.

£1195

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Hercules

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/RITES OF A GODHEAD/

By hannah absalom

Graphite pencil and charcoal on bristol paper

h: 59 w: 42 d: 1 (cms).

This drawing is part of a body of work called /HYPNAGOGIA/ as a contemporary interpretation of the classical Biblical apocalypse/dystopia. The work merges Judeo-Chistian symbology with that of collective dreams, creating a very recognisable framework of imagery but without any direct didacticism. The style of work is heavily influenced by Byzantine icons due to their utilisation of flatness.

£850

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/RITES OF A GODHEAD/

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The Gathered Storm

By carolyn richardson

Video

ONLY CONSIDER THE SECOND IMAGE ... THE VIDEO FOR INCLUSION FOR THE EXHIBITION

The first image is simply uploaded in case the system will not accept the still from the video.

The installation is a video of about 2 minutes. It can be looped if wished. The title is "The Gathered Storm". I shot the footage, edited the film and added the voiceover spoke by the writer Andy Allan.

The video shows the effect of the elements of wind and air on the land and offers a ultimate a kind of redemption after storm. This is shown in the film where the end frames offer birdsong, heralding the end of turbulent weather.

The film can be a metaphor of hard times or difficult situations with an eventual resolution.

Viewers can interpret these images and words in whichever they wish... For example storm at sea threatening the fishing community and fisherfolk, or the current pandemic Covid-19.

The image shown is not from the film but the application required an image and so I have included an image of a painting.

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The Gathered Storm

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Winged Monkey

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An adjective for uncertainty.

By eirini boukla

Cut and folded serigraphs, paper wire, inject prints. Dimensions variable

An assemblage of hanging mobiles and inject prints (photographic stills) look at a notion of Vertigo - the fear of falling vis-à-vis a simultaneous temptation (desire) to let go and to surrender to the fall.

A notion of Vertigo, as both a physical phenomenon and as sensory and cognitive duplicity, operates here as a figurative and formal device. Stressing the spectator as an active agent in the constitution of the artwork and its essential condition for its completeness, the installation’s warping moiré and shifting effects are not merely directed to the eye but to experiences which affect the entire body and demand the viewer to be in motion in front of or in relation to the work—marking a departure away from a usual secure position of set composition, in favour of mutable and unstable vertigo-like effects and sensory overload. Here, the sensory fabric of the work and the psyche of the spectator provide a mesmeric spiral of uncertainty and reflects that perception is far from objective and somewhat easy to destabilise and deceive and points to the way we see things always depends on our point of view.

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An adjective for uncertainty.

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Blind Date

By mark pol

Acryl on canvas

h: 50 w: 70 d: 2 (cms).

Blind date, she saw a blind date appointment, but she hesitates and thought it's blind but I must see my date. She peeked and saw her blind date and decided she will never do a blind date agian.

£1250

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Blind Date

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Vineyards behind Port Vendres

By jill bennett

Stone Lithograph

h: 47 w: 38 (cms).

I have used the techniques of stone lithography to create the variety of shapes and patterns in the undulating landscape formed by the vineyards, and built layers of semi transparent colour to create the final image. These hillsides lie apart from the busy coastal towns of southern France and provide an atmosphere of remote peacefulness, accessed by narrow lanes winding through the vineyards.

£225

£175 (Unframed)

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Vineyards behind Port Vendres

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Vineyards with Casots, Collioure

By jill bennett

Stone Lithograph

h: 47 w: 38 (cms).

I have used the techniques involved in stone lithography to suggest the undulating sundrenched slopes behind the Mediteranean town of Collioure in southern France, and the shapes, patterns and texture of the vineyards. There, in an atmosphere of peace and tranquility, the hillsides are dotted with small stone huts called casots, acting as visual anchor points in the landscape. Used by the vineyard workers for storage and shelter, some are crumbling, others painted in exotic pinks and blues.

£225

£175 (Unframed)

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Vineyards with Casots, Collioure

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Toe Head

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Dovecote at Dusk, Tinos

By jill bennett

Stone Lithograph

h: 47 w: 38 (cms).

Once considered remote the Greek island of Tinos still retains some of that atmosphere, distanced by the strong Aegean wind and stormy sea. A now barren landscape of red earth and crumbling stone terraces, once supporting fertile crops, reflects the island's history in the highly and individually decorated dovecotes found dotted across the hillsides and congregating in the sheltered valleys. I have used layers of semi transparent colour and lithographic touche wash on the stone to build up texcture and pattern, reflecting the often disintegrating stonework of these traditional and monolithic structures.

£225

£175 (Unframed)

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Dovecote at Dusk, Tinos

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‘Landing #7’

By david davies

Acrylic on Canson paper

h: 23 w: 31 (cms).

Dimensions are size of actual image. I foresee this firstly on mount card with 10cm surround in simple narrow black frame.

This painting is one of my 'Landings' series, an experiment into the area of Expressionist style paintings, simple in execution but using foreboding colours and landscapes/seascapes. I am in a vulnerable category regarding age and being diabetic in this lockdown, so there has never been a better time to experiment with Expressionism! I'm guessing that I have also been encouraged by viewing a recent exhibition at the Royal Academy in London of works by Leon Spilleart.

Many people in my situation must be feeling an underlying anxiety with thoughts of mortality. For me it has brought up images from Greek/Roman mythology. Charon, the boatman of the River Styx. A glimpse of the distant and unknown landscape of the Afterlife. But I remain hopeful !

£350

£290 (Unframed)

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‘Landing #7’

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