Hulabhaig : Uig Open 2020: Re-imagined Online

All in everything #3

By martin hewer

Oil on canvas

h: 80 w: 110 d: 3 (cms).

"All in everything" has been a recurring theme, this being the most recent reincarnation.

I am interested in Cosmology as a concept and use Renaissance painting techniques.

I have been working in this field for many years.

£5000

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All in everything #3

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Where there is no imagination there is no horror

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Grain 1.3

By roger mcnulty

Oil paint on canvas

h: 122 w: 92 d: 4 (cms).

The works titled ‘Grain’ are all painted in oil on a canvas surface. They are monochromatic in nature and have a textured appearance achieved by using pallet knife and brush. They are from a series of explorations into crystalline rock fragments. The work was inspired by my being invited to observe scientists working on climate change solutions and my association of the similarities of their microscopic images to macro-geographic structures.

£2100

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Grain 1.3

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Above and Below

By catherine yeatman

ink, watercolour, peat on paper

h: 45 w: 45 d: 2 (cms).

One piece from a series, looking at landscape and time.

£175

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Above and Below

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Tidal Pool

By david knight

Acrylic/Canvas

h: 52 w: 42 (cms).

The beach, rock pools and sea water are all elements within ‘Tidal Pool’. There is an intriguing, ever shifting, transitory, nature to the coastal landscape. The painting aims to deal with this change and movement through a sense of pooling and running water over the beach surface. Light and reflections intensifies the colour on rock surfaces, lichens and underwater vegetation.

£480.00

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Tidal Pool

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'MAELSTROM • 6' • 2020

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Black form with White

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Fragile 111

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CANACH 1

By margarita williams

Watercolour and ink

h: 48 w: 32 d: 1 (cms).

Bog Cottons have always featured in my botanical pieces depicting the Hebridean flowers.

i became fascinated by their free movement , each having a personality. I have painted them many times in various media, on a large scale. They have become a kind of symbol of my work .This is watercolour.

£400

£400 (Unframed)

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CANACH 1

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Fixing a Hole

By pierre ajavon

Video art

h: 1 w: 1 d: 1 (cms).

By trying to fix a hole to stop our mind from wandering on the other side…

""Fixing a hole" uses lunar footage and abstract colors coupled with experimental electronic music and NASA lunar recordings.

£2500

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Fixing a Hole

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Aeon

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A Series Of Bad Jokes (Joke 1)

By robert mccormack

Fixed Charcoal on paper with stretcher

h: 200 w: 135 d: 5 (cms).

Joke 1 - The pet speaks !

A collection of dogs gather, two adults and one pup. Forgetting their pack, they articulate themselves through the nuclear family unit that domesticated them. Cast charcoal paws frantically draw self portraits while quiet rubber tongues erase them. Wooden armatures, that signal dog bodies, are highjacked and repurposed as drawing machines. Traces of Crufts apparatus, playground equipment and bones fight for attention as the drawings go through a violent additive and reductive process.

Joke 2 - Big Bone.

My current work thinks through normativity and traditional family values through the figure of the pet. In the past, my work has expanded the borders of the pet subject position to include children finding similarities to the dog such as awards, training, treats and trauma. Rooted in classical disciplines of sculpture, drawing and printmaking my work situates itself in the familiar while reaching towards the bizarre. Drawings generate new sculptural ideas with entropic momentum.

Joke 3 - Blue plus yellow equals green ?

(Not for sale as I need it for an upcoming exhibtion but if someone is really intersted and can wait we can chat.)

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A Series Of Bad Jokes (Joke 1)

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Talisman no.5

By eoin mac lochlainn 59 Larkfield Grove,

watercolour on Arches Paper

h: 40 w: 30 (cms).

This is one piece from a series of watercolours, all 40 x 30 cm, which began as 'portraits' of potatoes but developed in various directions since then ... asteroids, planets, presences... they serve as a reminder of the precarious state of our world.

£1200

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Talisman no.5

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Swim Five

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untiltled

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eclipse

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Moored by Scarp

By barry idris jackson

Monoprint with acrylic

h: 40 w: 50 d: 4 (cms).

The first evening of a Hebridean cruise on MV Cuma was spent moored in a sheltered bay to the north of Scarp. I drew and took photographs of the magnificent cliff face, sheer into shallow water. Back home after the trip I began making relief monoprints on Zerkall paper. Eventually this one emerged, with some additional work on top in acrylic.

£500

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Moored by Scarp

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Distant Shore Xl

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Covid Warrior

By leila anglade

oil on canvas

h: 60 w: 50 d: 4 (cms).

This is part of a series of paintings done during the lock down. It is inspired by the war like athmosphere imposed during the lockdown, which felt like a curfew. The media and political rethoric was also a war disourse. Yet in many places around the world, real wars are being fought and their voctimes not mentionned daily. The warrior in the painting relates to both an allegory of people who have cared for other in our countries and those who are fighting against tyrans and oppression in other parts of the worl. They are not forgotten.

£550

£500 (Unframed)

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Covid Warrior

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Time and tide wait for no man...........

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